This Report is made based on the result of research on the mapping of pro-pluralism movement in Indonesia with the focused issue on pattern of transformation and the use of knowledge. The research used combined method between the review of literature, field research and focused group discussion (FGD). The field research was carried out during the period of February to March 2008. The research interviewed on average 5 organizations and 4 individual informants for each region. Those selected are in general advocacy-based organizations or grass-root organizations by having to consider the representation proportion between secular, religious and women’s groups. This research focused more to the effort in mapping the type and pattern of knowledge developed by the pro-pluralism groups during the post New Order era, as well as the transformation process of that knowledge into their program or activities. This report contains two basic essences. First is the context of the emergence of pro-pluralism movement as well as the challenges. This means this research should be able to present a more complete context on various factors affecting the emergence and development of this particular movement as well as the actual challenges faced nowadays. Secondly is that it is related to various findings. In this part there are six primary themes presented, which are the responses and roles of pro-pluralism actors; endeavored issues; the use of knowledge; the knot of knowledge among the academics and pro-pluralism activists; typology of the knowledge; and the method of knowledge transfer. The last two issues are the important ones that bundled into the recommendations of this research.
Pos oleh :
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DATE AND TIME Wednesday, April 2, 2014 @ 1 -3 PM
VENUE CRCS, Room 406 Gedung Sekolah Pascasarjana, UGM Jl. Teknika Utara, Pogung, Yogyakarta Tel. 544 976
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ABSTRACT I propose an inquiry into performances (i.e. dance) dance within transnationalism as a space of transcending border and reconfiguring alignment. In this project, I try to locate performance— the embodiment of dance technique, a mastered bodily code—as a possibility of dissident feminist praxis. I aim through this presentation to engage the idea of examining local cultural disturbance and of so-called “injustice, especially with many extraction of natural sources” where the construction of marginality and representation requires [often] idea of universal. This space of transnationalism has become a competitive place, as “different” being constructed, the shared concern are limited to how language of necessity mediates and what was the one who make the concern able to cross borders, which I call the imagination of the transient border, through ritual, dance technique and performance spaces.
In this Wednesday forum, I question the idea of feminism without borders, as Chandra Talpade Mohanty suggests, made possible through artistic performances and narratives taking place within the global aesthetic. Also meditation through Marta Savigliano’s conception on the issue of “world dance.”
PRESENTER Rachmi Diyah Larasati Ph.D is Associate Professor of Dance, cultural theory and historiography at Theatre Arts and Dance & Feminist Studies (Gender, Women, and Sexuality Studies, Aff.) University of Minnesota. Currently, she is visiting professor at Graduate School (UGM), IRB (Sanatadharma University) and UIN with Lisafa. Larasati is a former guest faculty at Brown University Critical Global Humanities Research Institute (2011) and Sanata Dharma University, Indonesia (2012), University of Addis Ababa, Ethiophia (2011) and Universidad de Granada, Spain (2011). She is the author of The Dance that Makes You Vanish (University of Minnesota Press, 2013); Crossing the Seas of Southeast Asia: Indigenous, Islam, Diasporic and Performances of Women’s Igal (Oxford, 2014), etc. |
The discussion will be held on:
Date : 18 June 2008
Time : 11.00
Diskusi akan dilaksanakan pada:
Hari/Tanggal: Rabu, 18 Juni 2008
Waktu: Pukul 11.00 13.00
Tempat: Gedung Sekolah Pascasarjana UGM Lt. 3, ruang 306
Topik: Islam and Popular Culture
Biodata singkat pembicara:
Munir Jiwa, Direktur Pusat Studi Islam di Graduate Theological Union (GTU), Berkley, USA serta asisten professor kajian Islam, memiliki latar belakang yang kaya yangberhubungan dengan aktifitas yang melibatkan banyak perbedaan. Kajian penelitian yang ditekuninya diantaranya adalah menyoroti mengenai peran Media dalam Islam dan dunia Muslim.Munir Jiwa sebelumnya aktif di University of Toronto, Kanada, dimana dia menjadi postdoctoral fellows di Fakultas dan Pusat Studi Agama. Dia memperoleh gelar Master kajian Agama di Universitas Harvard, serta meraih Doktor bidang Antropologi di Columbia University.
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DATE AND TIME Wednesday, April 2, 2014 @ 1 -3 PM
VENUE CRCS, Room 406 Gedung Sekolah Pascasarjana, UGM Jl. Teknika Utara, Pogung, Yogyakarta Tel. 544 976
|
ABSTRACT I propose an inquiry into performances (i.e. dance) dance within transnationalism as a space of transcending border and reconfiguring alignment. In this project, I try to locate performance— the embodiment of dance technique, a mastered bodily code—as a possibility of dissident feminist praxis. I aim through this presentation to engage the idea of examining local cultural disturbance and of so-called “injustice, especially with many extraction of natural sources” where the construction of marginality and representation requires [often] idea of universal. This space of transnationalism has become a competitive place, as “different” being constructed, the shared concern are limited to how language of necessity mediates and what was the one who make the concern able to cross borders, which I call the imagination of the transient border, through ritual, dance technique and performance spaces.
In this Wednesday forum, I question the idea of feminism without borders, as Chandra Talpade Mohanty suggests, made possible through artistic performances and narratives taking place within the global aesthetic. Also meditation through Marta Savigliano’s conception on the issue of “world dance.”
PRESENTER Rachmi Diyah Larasati Ph.D is Associate Professor of Dance, cultural theory and historiography at Theatre Arts and Dance & Feminist Studies (Gender, Women, and Sexuality Studies, Aff.) University of Minnesota. Currently, she is visiting professor at Graduate School (UGM), IRB (Sanatadharma University) and UIN with Lisafa. Larasati is a former guest faculty at Brown University Critical Global Humanities Research Institute (2011) and Sanata Dharma University, Indonesia (2012), University of Addis Ababa, Ethiophia (2011) and Universidad de Granada, Spain (2011). She is the author of The Dance that Makes You Vanish (University of Minnesota Press, 2013); Crossing the Seas of Southeast Asia: Indigenous, Islam, Diasporic and Performances of Women’s Igal (Oxford, 2014), etc. |
Speaker : Prof. Frans Husken*
Abstract
