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  • Ritual, Dancing Ecofeminism and Genealogy of Post Colonial Thought

Ritual, Dancing Ecofeminism and Genealogy of Post Colonial Thought

  • Berita Wednesday Forum
  • 8 April 2008, 00.00
  • Oleh:
  • 0

xx

 

DATE AND TIME

Wednesday, April 2, 2014

@ 1 -3 PM

 

VENUE

CRCS, Room 406

Gedung Sekolah Pascasarjana, UGM

Jl. Teknika Utara, Pogung, Yogyakarta

Tel. 544 976 

 

 

 

 

 

 

 

 

 

 

 

ABSTRACT

I propose  an inquiry into performances (i.e. dance) dance within transnationalism as a space of transcending border and reconfiguring alignment. In this project, I try to locate performance— the embodiment of dance technique, a mastered bodily code—as a possibility of dissident feminist praxis. I aim through this presentation to engage the idea of examining local  cultural disturbance and of so-called “injustice, especially with many extraction of natural sources” where the construction of marginality and representation requires [often]  idea of universal. This space of transnationalism has become a competitive place, as “different” being constructed, the shared concern are limited to how language of necessity mediates and what was the one who make the concern able to cross borders, which I call the imagination of the transient border, through ritual, dance technique and performance spaces.

 

In this Wednesday forum, I question the  idea of feminism without borders, as Chandra Talpade Mohanty suggests, made possible through artistic performances and narratives taking place within the global aesthetic. Also meditation through Marta Savigliano’s conception on the issue of “world dance.”  I refer to Gayatri Spivak’s argument on the idea of historico political and ethical in An Aesthetic Education in the Era of Globalization which conveys how the possibility of training imagination to create aesthetic innovation. Following this trajectory of ideas about the shared artistic imagination, I expand the question by looking at border-crossing via dance technique, a form of transnational engagement and empathy, followed by a humble question:  is it possible? 

 

PRESENTER

Rachmi Diyah Larasati Ph.D is Associate Professor of Dance, cultural theory and historiography at Theatre Arts and Dance &  Feminist Studies (Gender, Women, and Sexuality Studies, Aff.) University of Minnesota. Currently, she is visiting professor at Graduate School (UGM), IRB (Sanatadharma University) and UIN with Lisafa. Larasati is a former guest faculty at Brown University Critical Global Humanities Research Institute (2011) and Sanata Dharma University, Indonesia (2012), University of Addis Ababa, Ethiophia (2011) and Universidad de Granada, Spain (2011).  She is the author of The Dance that Makes You Vanish (University of Minnesota Press, 2013); Crossing the Seas of Southeast Asia: Indigenous, Islam, Diasporic and Performances of Women’s Igal (Oxford, 2014), etc.

 

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Since the end of 19th century, the Catholic Church Since the end of 19th century, the Catholic Church has conducted missionary activities among the Javanese in Muntilan, Indonesia, establishing it as the first Catholic mission site in Java. The missionary work not only impacted the Javanese but also the Chinese descendants in Muntilan. The conversion of the Chinese to Catholicism in sparked debates among the Chinese community, who perceived it as a contributing factor to the abandonment of Chinese characteristics. This contest leads to the dynamic and diverse identities of Chinese Catholics within the community, as Chinese characteristics and Catholic faith mutually influence each other.

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