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Arsip:

Saluang jo dendang

Negotiating Women’s Modesty in the Gendered Dynamics of Minang Society

Wednesday Forum Report Tuesday, 27 September 2016

Negotiating Women’s Modesty in the Gendered Dynamics of Minang Society

M Rizal Abdi | CRCS | Wednesday Forum Report

 

The woman knelt down, supporting her body wrapped in traditional Minang cloth. She held a microphone that echoed her reedy singing and reverberated with the sound of flute from the man next to her. Suddenly, the sound of electronic music rushed in, disrupting the serene and heartbreaking melody with the upbeat dangdut rhythm. Still kneeling down and the female singer continued her sad singing with contradictory backsound as if it is synchronized to each other.
“Two decades ago, this wouldn’t be happening,” said Jennifer A. Fraser, Associate Professor of Ethnomusicology and Anthropology from Oberlin College, US. The contradictory yet fascinating scene above was shown during Fraser’s presentation in CRCS-ICRS Wednesday Forum on Wednesday, 8th August 2016. Entitling her presentation “Playing with Men: Female Singers, Porno Lyrics, and the Male Gaze in a Sumatran Vocal Genre”, Fraser shared her latest findings on Saluang Jo Dendang (literally flute with song), one of the Minangkabau music arts which is celebrated for its refined poetry based on allusions and its sad songs that induce tears in a listener. Using ethnographic research in West Sumatra dating from 1998, she tracked the gendered dynamics and increasingly sexualized interactions between female singers and their male audiences. In the 1960s, Saluang Jo Dendang was predominantly a male performance. Based on Minangkabau Islamic modesty, it was not considered appropriate for women to attend such an exclusively male event, let alone become the center of attention. The only possibility for a woman to participate as a performer was when her husband was the flute player. However, by the 1990’s, women started to displace men as the singer or pededang so that nowadays male pedendang are extremely rare. In fact, as one of male singers admitted, no one wants to listen to a male pedendang anymore.
Moreover, Fraser showed that there are shifting relations between the padendang and pagurau or attendees. In the past, with male singers, the pagurau usually listened to the song and fell into deep reflection on the lyrics. Sometimes the pagurau could also make song requests to the padendang directly. Nowadays, the pagurau usually tease or seduce the padendang by throwing some off-color jokes or requesting particular themes like divorce, asking for marriage, or other private matters. However, according to Fraser, the porno lyrics in the saluang performance refer to something different from the common understanding of pornography. Rather than explicitly using sexual vocabulary, most of lyrics categorized as porno by the audiences refer to anatomical description through allusion that tends to be not harmful but playful. For example,

Wednesday Forum: Playing with Men; Female Singers, Porno Lyrics, and the Male Gaze in a Sumatran Vocal Genre

Wednesday Forum News Friday, 5 August 2016

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Abstract
Saluang jo dendang, flute with song, is one of the most important arts of the Minangkabau heartland, celebrated for its refined poetry based on allusion and sad songs that induce tears in a listener. Performed late at night into the wee hours of the morning, two to three singers deliver a series of 40 or so songs according to the requests of the attendees, choosing from a repertoire of hundreds. In this genre, songs are defined by the melodies, not the lyrics, which are variable from one performance to the next. Singers choose texts from stock verses memorized and create them anew in the moment of performance, all delivered in pantun and therefore rhyme with verse lengths varying from 4 to 22 lines. The knowledge, skill, and nimbleness demanded of the performers is considerable.

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Frequent appearances in public spaces and discours Frequent appearances in public spaces and discourse do not necessarily make society's acceptance of waria more open. There are many factors that make a society accept the existence of waria, and religion is one of them. At the same time, the religious expressions of waria are continuously questioned.

At this #wednesdayforum, Khanis Suvianita will share the dynamics of Waria's negotiations on gender and religious expression in Gorontalo and Maumere.
Ketika mendengar atau membaca kata "feminisme", ya Ketika mendengar atau membaca kata "feminisme", yang kerap terbesit ialah ini paham "Barat" atau "kebarat-baratan". Kendati pada perkembangannya feminisme bersintesis dengan berbagai ideologi lain (misalnya feminisme Islam), asosiasi sebagai paham asing dan warisan kolonial masih tak terelakkan.

Pertanyaannya, bisakah kita melepaskan feminisme Islam dari paradigma kolonialisme dan transnasional tersebut?

Simak dan ikuti perbincangannya di ASA Forum nanti malam, hanya via zoom ya ....
Discussions about Islam and feminism often focus o Discussions about Islam and feminism often focus on Islamic feminism or feminism in Islam. However, not much has highlighted the Muslim women's movement that is resistant to feminism. In fact, the anti-feminism movement from Muslim women in Indonesia has penetrated both the policy and discourse levels in the public sphere. Check out @afifur_rochmans research on the dynamic of moral politics by anti-feminist Muslim women in contemporary Indonesian public spaces.
Let's move your body and share the harmony ... Ay Let's move your body and share the harmony ...

Ayo gerakkan badan bersama mengikuti irama semesta di Srawung Rukun, Solo 2023. Kita goyangkan badan, makan, dan bercengkarama bersama rekan-rekan. 

Langsung datang saja karena ini cuma-cuma buat kamu ...

Geser untuk kepo jadwalnya ya ...
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