by Diane Butler. This brief essay stems from the idea that one of Prapto’s processes since the early-1970s was to discuss about his movement concepts, to peel ideas, and then try to ‘under stand’ via the experience of movement practice. Not for grasping onto an identity or category of work; rather for ‘re-cognizing’ that one’s understanding and awareness of movement arts and life will always be changing according to the environment and journey of time.
