Abstract
The Islamic Otaku Community (IOC) is an Islamic fan-based community, which encourages young Muslims—male and female—who are actively engaged in otaku fandom to stay committed to Islamic norms and values. Hijab Cosplay can be perceived as a unique site which brings together two worlds, the sacred/ascetic activities of being a Muslimah and the secular/hedonistic activities of the otaku, in which young Muslimah not only choose, appropriate and reproduce characters from Japanese anime, manga and games, but also (re)claim their femininity as Muslimah in relation to it. In this talk, I aim to discuss how Muslim femininity is remediated through the practice of hijab cosplay, which is posted and circulated on the IOC fansite, and how the female dressed body as a mediation of femininity is actively mediated in another medium. Since the goal of remediation is to refashion or reform the earlier version of the medium, I consider the ways in which young Muslimah attempt to refashion and reclaim Muslim femininity through fandom practices. Since cosplay is not confined to the act of costuming, but is also immersed in wider fan practices, I also look at the remediation of Muslim femininity in Islamic Mangaka (fan arts and fans writing produced and posted by IOC members).
Arsip:
Woman
Ali Jafar | CRCS | Wednesday Forum Report
In the beginning of her presentation, she drew a picture portraying goddesses of Nusantara (Indonesia Archipelago) on white board and told about narrative and myth over the mothers. She said that in humility paradigm of ecofeminism, all trees, animals, land and water have its own systems of thinking and communicating. How the stone whispers, why the water is raging, and how the land thinks. There is equality between human being and other non-human being. It was Dr. Phil. Dewi Candra Ningrum, the editor- in chief of Jurnal Perempuan (JP- Indonesian Feminist Journal) presenting in the CRCS’ Wednesday Forum on November 25th 2015.